The classification of color remains a complex area of inquiry that has concerned philosophers, writers, and scientists throughout history. Is it an inherent characteristic of objects, such as dimensions and form? Is it an illusion, purely subjective and derived from visual experiences?
The experimental modernist writer Hilda
Doolittle, known by her initials H.D., believed it was her responsibility to
synthesize disparate elements and explore the significance of color through a
provocative, challenging, reductive, expansive, and analytical lens. Thus, she
interrogated the entire notion of color in poetry. H.D. was dedicated to the
ideal of completeness that centuries of Europeans had invested in Ancient
Greece.
The poet's desire for the complete subjugation
of color and sensations is paradoxical, as the enchantment of color and objects
is essential to her. The poet's yearning for a "still" and
"unmoving" world stems from the inherent violence of objects, a
constant threat to her sensitivities heightened by overwhelming sensations. Sea
Garden subverts the Romantic notion of nature intervening to assist the
beholder's wounded psyche. The visible universe is too dynamic to observe.
Colors haunt H.D. due to their ubiquitous presence. They are unrestricted,
capable of changing colors and hues, infringing on other colors, and moving
(unless darkness overtakes them).
“Rose harsh rose,
Marred and with stint of petals,
Meagre flower, thin,
Sparse of leaf…
Can the spice rose
drip such acrid fragrance
hardened in a leaf?”
Her experience of color and the implied total
deprivation of its absence might symbolically depict the domain of the senses.
Her works include several instances indicating that she consistently exerted a
profound influence by annihilating the senses in form, spirit, intellect, and
awareness.
What role does the absence of color
perception in literary works play in determining how we think, create, and
imagine in a world that relies on color-shifting, configurable matter systems
that could change at any moment?
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